Courtesy of Carlos G.
Begin at the Beginning She kneels on the dirt and watches the elder study the rocks she brought. Five fist-sized chunks of red stone, laboriously hacked from an outcrop. Half a day walking there and back, and half a day pounding rocks against rocks to yield this offering.
The elder's hands are stained the same red as… An 60,year old artistic movement recorded in ostrich egg shells Souvenir shops in South Africa are full of lamps made out of ostrich eggs.
The eggs are so big and strong that you can carve and cut intricate designs into their shells. The egg's contents are emptied through a hole and a bulb can be inserted instead, casting pretty shadows on walls and ceilings.
Scientists are going to be talking about it for centuries. As researchers report in tomorrow's issue of Nature, the skull--and along with other parts of a skeleton--turned up in a cave on the Indonesian island of Flores.
Several different dating methods gave the same… Ack! A great run down of the subject Greg. FWIW I find one of the main problems with the origins of art is the problem of the difference between the unequivocable evidence for it and the tentative yet very controversial evidence for it in earlier periods.
It is very easy to identify 'art' when we have a repeated set of explicitly symbolic objects that are bounded in time in space in a real archaeological pattern.
It is very hard to understand what the meaning of the incipient stuff that comes before it is, however. I personally think it is worth conceiving as the incipient stuff as showing the latent ability to encode meaning in objects but without the necessity to do so on a regular basis perhaps because social lives operated on much smaller scales and needed less symbolic negotiation of relationships.
I've been working on seeing if we can find evidence for, if not artistitc, then meaningful use of material cultures back as far as k ish in order to help to mediate social lives.
IOW, isn't material art in essence ritualized object creation, just as music is ritualized sound production, poetry is ritualized speech, and dance is ritualized physical movement? In other words, if you have a species capable of material culture e.
IANAAnthropologist, and it occurs to me that I may not be using the word "ritual" in an anthropological sense. Log in to post comments By HP not verified on 13 Jun permalink I trust all concerned will read Michael Bishop 's No Enemy But Time for preparation, and - after appropriate lubrication by libation - will endeavor without necessarily waiting for dawn to re-create the morning hymns of Homo habilis as described therein.
Log in to post comments By Pierce R. I think you could almost say that art, whilst being a component of ritual, can work at a distance that communal rituals cannot. Ultimately, I have a feeling art is human ritual gestures or at least significant acts curated and operating over longer times and distances.
Greg may have another opinion though and I would defer to him. Log in to post comments By Richard D not verified on 13 Jun permalink As I recall it, most think that art creation is related to symbolic thinking, the realizing that a rock looks like a rabbit, but is not a rabbit.
This is related to the theory that symbolic thought and language is related. Which has been used to suggest that Sapiens is the only group which had language. Meanwhile, be careful of assigning ritual purposes for art objects.
Modern teenage boys who draw tanks and jets aren't trying to ritually summon M-1 Abrams. A cartoonist who draws a talking dog is not trying to appeal to the Spirit of Dog to make them talk. By Ahcuah not verified on 13 Jun permalink Ultimately, I have a feeling art is human ritual gestures or at least significant acts curated and operating over longer times and distances.
That accords with my amateur view as well, with the caveat that later technologies enabled this same transition with respect to poetry and literature writingmusic notation systems, and then sound recordingand theater and dance film and video.
So, nowadays, when we interact with the poetry of Homer, or the music of Billy Murray and Len Spencer early Edison cylinder stars or the dance of Busby Berkeley and Martha Graham, we're engaged in the same kind of social ritual artificially extended across time and space that is embodied by the paintings at Lascaux.The below artworks are the most important in Postmodern Art - that both overview the major ideas of Postmodern Art, and highlight the greatest achievements by each artist.
Don't forget to visit the artist overview pages of the artists that interest you. Gesture. Gesture is perhaps the most important component of good figurative sculpture and should not be undertaken in a hurry.
After all, the gesture is what you are going to see from across the room and, if carefully thought out, it will bring you closer to explore the details of the sculpture.
Gesture has played a very crucial role in the development of modern art. The gestures alone can tell us which time period a painting is from. In such paintings like, The Night Cafe and The Scream, gesture shows us what kind of message we should be getting when observing the paintings.
1st modern art movement of international stature to originate in the United States at the far end of abstract spectrum - completely divorced from illusionism Abstract expressionisms (plural) - very much linked to the individual artist, so appearance of work varies somewhat (since based in personal expression).
Minimalism: Minimalism, chiefly American movement in the visual arts and music originating in New York City in the late s and characterized by extreme simplicity of form and a literal, objective approach.
Minimal art, also called ABC art, is the culmination of reductionist tendencies in modern art that. Sexuality in Art First Things First The topic of sexuality in art history can be approached in a variety of ways but perhaps the most valuable one (in terms of a foundational topic for a survey art history lecture) is the convention of female nudity in art.